During the late winter of my Instagram “Creativity Practice,” there came a day, a tiny little day of reckoning:
I was mulling over some creative project or another, thinking as I cleaned up after the kids– I don’t actually remember what I was doing, but I remember that I was walking around between my dining table and my old nursing chair.
My thoughts were like this:
“Oh, I need to put this paper in the file and clean that yuck off the floor. La dee dah. Hmm. I think I’m really into God. Hmm, maybe. But I don’t really want to talk about God or proselytize or be some spiritual weirdo. But I want to make creative work that reflects what’s important to me. Maybe I can just do nice, pretty, easy creative work and keep the God stuff secret.”
But as I held that thought, the thought of keeping the “really into God” part of myself secret, I could feel that it was a betrayal to who I am. Wasn’t I now on this creative journey to find myself? To be true to myself? And wasn’t a piece of this journey sharing my discoveries? What good was all of that if I left a big ego-protecting wall between my true, God-loving self and my creative output?
“Dang it.” I thought. “I’m really into God stuff. I guess that’s part of who I am. Ok, fine.”
Accepting that I really like God didn’t feel like a huge revelation, angels didn’t appear out of the sky with trumpets or anything. But by allowing it to be OK, I found a void within myself* that was thirsty for more understanding. I replenished my bookshelf with a newly-acquired Bible, a copy of the Tao Te Ching, a book on symbolism, a pop-up book on mythological gods and heroes, and Vein of Gold, a workbook by Julia Cameron that invites the reader to illuminate their own connection between creativity and spirituality.
It’s not like this “into God stuff” came out of nowhere. I grew up going to church, one of my favorite courses in college was “Intro to Asian Religions,” I’ve eagerly read from the Haggadah at Passover, I practiced meditation at my old dojo in Chicago, I’ve officiated a wedding, stayed at a Buddhist retreat center, practiced prenatal Ananda yoga, done intuitive Tai Chi on the shore of the Pacific at sunset …
Oh. This is already totally not a secret.
Even so, it feels like I’m coming out of the “I’m into God stuff” closet. Part of my wanting to stay in this closet is feeling like people will think I’m a “Jesus Freak,” or a spiritual new age weirdo. Or, and maybe even worse, a religious cherry picker, a dilettante, an avid practitioner of spiritual cultural appropriation.
Yikes.
Thankfully, part of my new spiritual understanding is that I am all of those things. And none of them. Everything and nothing. Truly, I have no idea what I even am at this point.
But I practice continually accepting myself as I am. Within that acceptance isn’t security, exactly, but the soft blackness of faith and trust. I can feel from there when I’m on the “right” path and when I’ve veered off. Living and making art from that place feels brave and whole. And totally worthwhile.
(Art: The Annunciation (detail) by Peter Candid, 1585. The colors!)
*Tee hee!